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Lonna
Author: J Lewis
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(Added on Jan 9, 2010)
(This month 82032 readers) (Total 121019 readers) |
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A tale of a woman willingly subjected to the bdsm lifestyle by her husband in conjuction with an author of a fetish web site. |
Ratings and Reviews: |
Number
of Ratings: 4 |
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Weighed
Average (?): (9/10) |
Average
Rating: (10/10) |
Highest
Rating: (10/10) |
Lowest
Rating: (10/10) |
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Reviewer:
LonnaxLost
(Edit) |
Rating: |
Jan 16, 2010 |
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It is every bit as good, as the books I pay good money for. (10/10)
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Reviewer:
scottishgent
(Edit) |
Rating: |
Jan 14, 2010 |
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Just finished part one. I'm waiting to see how the rest of it develops. (10/10)
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Reviewer:
kemosabe
(Edit) |
Rating: |
Jan 13, 2010 |
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Highly erotic. My only dislike is the author's use of "ing" after every verb. Seems like it could be taking place without all that verbage. Can't say it kept me from be exhilerated, though. Guess I need to read "Watch what you ask for". (10/10)
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Reviewer:
JimmyJump
(Edit) |
Rating: |
Jan 9, 2010 |
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Okay. So this is a semi-continuation of "Watch What You Ask For". Semi, because while the backdrop is slightly the same, the characters are not. They seem to have switched personalities. In "Watch..." the husband was the softer character, while his wife, although to a certain extent the 'victim', was the more brazen one. Here, it's the opposite. And Although I have a feeling that J Lewis was still trying to shake off the memories of "Watch..." -- especially while writing the first couple of paragraphs of this here tale -- I also feel that changing the setting is to the advantage of the story. Not that "Watch..." was 'bad', no, but once the couple was out of their home, their natural environment, things seemed to slip beyond the author's control. In "Lonna" on the other hand, J Lewis keeps everything --or everyone-- in check. A lot of this has to do with the husband playing a more controlling role, as opposed to an invisible hand that led the characters from "Watch..." The fact that Lonna is the more reluctant one, more vulnerable, also makes the story a bit more enticing. What also must be said, is that J Lewis pulls it off to satisfaction, because a more vulnerable character is just that bit more difficult to paint a picture of, because of the character being prone to moodswings, instead of having a brazen, more linear straight-forwardness. And this time the style *has* changed. Well, maybe not so much the style, but J Lewis' mood, it seems. Much calmer, more collected. Carefully building sentences rather than chopping them on the pages. Resulting in a more flowing, mesmerizing story. Even, if I dare say so, more mature. Or he has found some vaseline to smear around the camera lens, giving the reader a more diffuse rendition of what happens. Oh, the harshness is still there. Mostly so when the husband or Lonna's 'handlers' come to the fore. But it's again a right balance. Something like the combination of Gloria Swanson's close-ups in "Sunset Boulevard" and Travolta blowing a kid's head off in a car in Tarantino's "Pulp Fiction"... Somewhere in the middle sits J Lewis. JJ (10/10)
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