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NEW POSITION
Setting: Present day. Eastern Europe is a good locale, which I expect works well logistically.
CAST
Karyn: Slave / unemployed young woman
Casting recommendation: Choose someone whose English is not fluent.
Anna: Mistress of Slave Training School
Casting recommendation: Age mid to late 30s
Mr. Krupp: Buyer of Karyn
Casting recommendation: Age 40s. Businessman. Nice suits. Direct, but gentle manner.
Eva Novek - Employment Agent
Erica – Trained slave, awaiting auction.
Milo: Police officer, co-conspirator
Scene 1: Phone conversation. Employment Agent/Eva and Anna.
Eva Novek:
…She’s perfect. She is new to the city, doesn’t know anyone, doesn’t have a job, staying in a boarding house. I’m pretty certain her ID was fake, so she’s likely in the country illegally. She is running from something. No family.
And her body, nice pert breasts, a firm ass, and lovely ___ hair. And she has a cute manner of looking down submissively when you talk to her.
I wish I could afford her, or I’d buy her myself.
Anna:
OK, it sounds good. What have you told her?
Eva Novek:
I told her that there may be a position as a maid available.
Anna:
And you will send her to the manor house.
Eva Novek:
Yes, I’ll drive her out personally, to avoid any outside suspicion. She’s so excited to find a job. She’s desperate the poor thing.
Laughs
Scene 2: Manor House / Academy. Karyn standing before Anna (seated), and Eva seated to the side. Karyn nervous as she is interviewed.
Anna:
Very good. I think you will make a nice addition to the manor.
(Anna presses a buzzer, and two guards enter)
Anna:
Please show our new recruit her accommodations.
The two guards then grab Karyn, and begin to restrain her with handcuffs behind her back, ankle cuffs with a chain between them, and a gag. Karyn struggles throughout. She is initially caught completely by surprise, and calls out for help from Anna and the Eva who watch and smile. She is then pulled out of the room.
Anna hands Eva an envelope (payment).
Anna:
Thank you Eva. I think she will make a nice addition to the manor. (She says with a smile, as she repeats her earlier statement, but the intention now clear).
I have reserved your usual room, and I have a present waiting for you.
Scene 3: Luxurius bedroom. Erica kneels naked in the center of the room, wearing only a collar, leather hand and ankle cuffs. She kneels with her arms behind her back, and her thighs spread. Eva Novek enters. Erica is initially surprised to see Eva, but does not move. Throughout the scene Eva is caressing Erica, and enjoying her body.
Erica
Ms. Novek?
Eva
Yes Erica, it is me. It is lovely to see you now, so well behaved. You are every bit as beautiful as I imagined you could be.
Erica (blushing)
Thank you mistress. Thank you for bringing me here.
Eva
You look so happy, my dear.
Erica
I am happy mistress. Mistress Anna has told me that my training is complete, and I am now on the auction block. She says I will be purchased any day now.
Eva: Lifting Erica and guiding her to the bed
That’s wonderful dear. Let’s celebrate your new found position.
On the bed, they kiss, and make love. Caressing, licking, rubbing, etc. Eva being slowly undressed by Erica.
Scene 4: Dungeon. Karyn is naked and restrained to a post with her hands above her heads, and she is gagged. There is a group of other slaves in the dungeon in various cages and restraints – all naked, except for the odd collar and padded handcuffs. Guard is standing to the side of the room watching. Enter Anna.
Anna:
We do have a position for you Karyn. One for which you are perfectly qualified. You only need to accept your new position.
Anna runs her hands over Karyn’s body as she speaks.
Here we train young women to realize their true potential. We take the women who are lost and struggling to find their place in the world, and give them a purpose.
It always takes some time, but eventually all my girls come around. With time, you will come to know the great honour of being purchased as a pleasure slave. This is your new position, the one you were always meant to have, for which we are here to train you. When you surrender yourself to this simple truth, you will feel nothing but bliss.
Your first lesson is in control. You don’t have any, and I have it all.
Anna then proceeds to give Karyn a thorough whipping. Karyn cries out, but she is muffled by the gag. By the end she is in tears.
In time you will appreciate the beauty of punishment – pain and pleasure will merge into one; and the only thing which will remain will be your need to serve. To please your master or mistress.
Anna exits the room, leaving Karyn who is still in tears. There is no reaction from the other slaves or the guard, confirming that this is routine.
Scene 5: Another area in the dungeon. Karyn is standing free without any restraints. Anna stands ahead of her, and a guard is to the side.
Anna:
Now Karyn, let’s see if you starting to accept your new position. Kneel down and kiss my feet.
Karyn doesn’t move. Ann becomes more stern in her tone.
Kneel down and show your devotion to your mistress!
Karyn still refuses to move, and instead shakes her head in refusal. Anna, visibly angry, motions for the guard. The guard grabs Karyn, and with one hand in her hair, forces Karyn to her knees. Her head is then pressed to Anna’s boot, where she eventually relents and kisses it.
Anna:
There, that wasn’t so difficult was it.
Addressing the guard.
She still needs some instruction to accept her position.
The guard pulls Karyn to her feet, and then to one of the walls. She is then shackled with her hands above her head. The guard then retrieves a riding crop, and with a nod from Anna, begins to whip Karyn.
Anna: (speaking while Karyn is being whipped)
Why are you crying out? Don’t you see how beautiful you are in your suffering? No one will help you. Everyone here knows you are a slave, and it makes no difference if you are whipped, or yielding to a caress. It’s all the same. Surrender and devotion.
The whipping stops.
Anna to the guard:
Leave her chained up like this. Do not allow her to sleep. Whip her, stroke her, pinch her, tickle her. Do whatever you like. Just don’t allow her a moment to relax. And no food – only water. Do not clean her, or allow her to use the toilet. She needs to see that she has no control – most especially over her body. We will see if she is more accommodating in a couple days.
Montage sequence as Karyn is variously whipped, caressed, kissed, pinched, stroked, etc.
Two days later. Anna enters the cell. Karyn is still chained up to the wall. A puddle of urine is now on the floor. The guard releases Karyn, and she falls to her knees. With a nod from Anna, the guard assists Karyn to stand.
Anna:
Are you ready to submit?
Karyn nods her head affirmatively.
Anna:
You will address me as mistress.
Karyn:
Yes mistress.
Anna smiles.
Good. Now kneel down and kiss my feet.
Karyn struggles to kneel down, as her muscles are still stiff. But she kneels down without hesitation and kisses Anna’s boot.
Anna:
That’s a good girl. Good girl.
Addressing the guard.
Clean her up. Give her a collar and leather cuffs, and allow her to eat.
Anna exits room, leaving Karyn on her knees in the center of the room.
Scene 6: Outside the manor. Karyn and another slave are surrounded by a group of guards, and Anna.
Anna:
Now girls, you are being awarded a special privilege. You have both been coming along so well in your training. I know you like to be pretty for your mistresses. So today you get to demonstrate your devotion.
The two slaves are then dressed as ponies. A bit is placed in their mouths, and they wear an elaborate headpiece with feather. Their arms are restrained behind their backs. They wear high riding boots, that leave them practically on their tip-toes. The harness wraps between their legs, and a tail hangs from the harness at their backside. The two are then tied in front of a cart, side by side, reins attached to their harness. The two slaves offer no resistance as they are dressed.
A guard then climbs into the carriage, and with a strike of the whip, directs the slaves forward. The mistresses all cheered and mouth encouragements as the pony girls circle the yard.
Scene 7: Anna’s bedroom. Anna sits comfortably in a side chair. Karyn is escorted in on a leash by a guard. The leash is removed, and then the guard leaves.
Anna: Beckoning to Karyn with her hand
Come. Let me take a look at you.
Anna examines Karyn. Running her hands over her body, and admiring the whip marks. She lightly pinches the nipples. She directs her to turn around, and continues the examination.
Anna:
Have you fully accepted that you are a slave?
Karyn:
Yes mistress.
Anna:
Good, good…. You have experienced the pain of subjugation, and you mark nicely.
Karyn:
Thank you mistress.
Anna:
But now I am going to show you that it is not always painful. You are a pleasure slave. Show me how you may give your mistress pleasure.
Anna stands and directs them to the bed. Karyn slowly undresses Anna, kissing and stroking her body. Karyn kneels on the floor between Anna’s legs, and services her. The two make love on the bed.
Scene 8: Karyn is being escorted back to her cell by a guard. As they are entering the dungeon, with the door open, another slave is struggling to escape. The other slave knocks another guard to the ground, and rushes for the door. The guard escorting Karyn moves forward to block the escaping slave. The two struggle, and eventually the slave is subdued. Throughout this struggle, Karyn stands impassively with her arms at her side. With the guard in front of her, and the keys on her belt, she could easily have knocked out the guard, and helped the slaves including herself, to escape. Yet she did nothing, allowing the guards to retain control. She is then calmly led to her cell. The other slave is restrained, and led to the whipping post.
As the scene fades out, you hear the other slave being whipped, and crying out.
Scene 9: Anna in her office, slams down the phone. Angrily she stands up and begins pacing. A guard enters just as the phone call ends.
Guard:
Is something wrong mistress?
Anna:
That twerp Milo! He is trying to blackmail me. He says that he is getting more pressure from Interpol, and he should get more because of the risk.
Interpol my ass! They can’t do anything while we have the local police and judiciary locked-up.
Guard:
What does he want?
Anna:
He wants 10%! He already gets 5%, which is more than enough for 1 officer who acts as a liaison to our operation. There are a lot bigger fish embroiled in this operation. Who does he think he is??
Guard:
What are you going to do?
Anna:
I don’t know yet. If I had my way, I’d kill the mischievous rat! But, that would attract unwanted attention.
Many in authority turn a blind eye to our operation because we are dealing with the rift raff of the streets, and making them a tiny profit in the process. But as soon as we start dealing with someone other than the junkies, runaways, and various other lost souls, they’ll come down on us like a lead brick.
Let me make a few calls, and see what I can work out.
The guard nods, and exits the office.
Scene 10: Upstairs room in the manor made up as a photo studio. Anna, and 1 of the guards with a camera are waiting in the studio. Karyn is escorted into the room on a least by a guard.
Anna:
You have done well in your training. Would you like to be sold as a pleasure slave?
Karyn:
Yes mistress. It would be an honour to be someone’s property.
Anna:
That’s a good girl. Today we are going to take some pictures of you. You will then be listed on our site for auction. Be good, and sensual. Show the buyers how good of a slave you are. You want to sell for high price, don’t you?
Karyn:
Yes mistress
Anna:
Good. All the best slaves want to show that they are valuable property.
Anna leaves the room. The guard then begins to photograph Karyn in a variety of submissive poses. Some are pictures of her submitting to the other guard.
As part of the photo shoot she is whipped, wearing nipple clamps, and other forms of discipline. The photos reveal her submission and her desire to give pleasure. The guards take full liberty, alternating between spanking and fingering her. Karyn offers no resistance.
Scene 11: Karyn’s cell. She is lying in her bed. Anna enters, and sits down next to her on the bed.
Anna:
I have good news. You have been sold to a businessman. We’ll be preparing you for shipment tomorrow.
Karyn smiles
You did well little one. One of our highest priced slaves ever.
Karyn is excited, and hugs Anna. Anna welcomes the embrace, and kisses her.
Now go to sleep dear. You have a busy day ahead of you.
Scene 12: A group of police officers, a SWAT team, raid the mansion. There is general scenes of gunfire and other combat, as the officers break into the mansion. They arrest Anna and the guards. There is a pause as Anna stares at Milo as she is escorted in cuffs into the back of a police car.
The slaves are released from their cells, and guided outside to freedom.
Scene 13: Karyn in a counselor’s office. All of the released slaves have been briefed on the charges that have been laid against their captors, and questioned regarding the details. They are then being assisted to find a new life outside. The counselor is a lady social worker, trying to be of assistance.
Karyn:
What am I going to do now?
Counselor:
What were you doing before you were kidnapped? Didn’t you want to be anything?
Karyn:
Nothing. I had no one. I did nothing. I was nothing.
Karyn bursts into tears, and the counselor attempts to console her.
Scene 14: Karyn walks into her tiny, run-down apartment. She is tired and frustrated after a day of searching for any dead-end job. She finds two men in her room. She is uncertain how they got in past the lock. One is a distinguished gentleman in a 3 piece suit, sitting on her bed. The other is a tall muscular man, with a stern look on his face. Clearly the tall man works for gentleman, and he stands attentively by the door. They are waiting for her. The distinguished gentleman, Mr. Krupp, pats the bed next to him, motioning for Karyn to join him. Karyn nervously goes to the bed and sits down as directed.
Mr. Krupp:
Karyn, do you recognize the number 34672?
Karyn is at first puzzled that this man knows her name. Who is this man? She then ponders the number he mentioned. In a flash of memory, she sees the number on her slave collar.
She smiles exuberantly.
Karyn:
That was my slave number.
Karyn can hardly contain herself, as Mr. Krupp pulls out some documents indicating he has purchased property # 34672. Karyn in her excitement leans over and hugs Mr. Krupp, catching both Mr. Krupp and his aide by surprise.
Karyn:
You are my master! You found me!
Having expected a struggle, he smiles at her joyful response. He strokes her hair, and gently murmurs encouragement.
Mr. Krupp:
Yes, that’s right my pet. You are coming home.
He pulls out a collar from his briefcase, and places it on Karyn. Then motioning for her to stand, they all walk out of the apartment.
Mr. Krupp:
Come along little one. We are going home.
There is a brief scene of her entering the back of Mr. Krupp’s limo, and kneeling before him, just as the door shuts.
Scene 15: Mr. Krupp’s home, a luxurious living room with fire place. Seated in large comfortable chairs are Mr. Krupp, his wife, and another wealthy couple. Mr. Krupp’s aide is standing to the side, attentive as ever. Karyn is naked except for the collar, and on her knees in front of Mr. Krupp. She is leaning forward to suck him. He reaches down to stroke and squeeze her breasts. Mrs. Krupp, and the guests look on with admiration at the new pleasure toy. They all make various pleasing remarks about her body, and her eagerness to please.
Karyn is then guided to walk around to each of the people present, so they can feel her and enjoy her charms. Once she has been caressed by everyone, Mr. Krupp motions for her to come to him. He is now standing by the fireplace. An iron poker is in the fireplace. She stands before him, with her arms resting behind her back.
Mr. Krupp:
Karyn, I am proud to call you my slave. Therefore, to honour your devotion, I have invited my guests to witness me marking you as my property. Kneel down.
She kneels down. With his feet, Mr. Krupp, motions for her legs to be spread.
Stay firm, and don’t cry.
All eyes are upon her, as he pulls the poker from the fireplace. His family crest is then emblazoned into her buttocks. She stifles a cry, and lowers her head in submission. The group smiles, and murmurs their approval. Inwardly Karyn smiles with pride.
THE END
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